15 Dec Exploring the meetings points of Richard Erdman and Georgia O’Keeffe
There exists an evocative dialogue between the organic and the abstract in works by Georgia O’Keeffe and Richard Erdman. Georgia O’Keeffe’s fascination with nature’s hidden architectures — from the haunting cavity of Pelvis IV, 1944 to the intimate interiors of Shell, 1937 — reveals how she transformed found natural objects into powerful compositions....